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The two singles shared so far by the group Ashnymph resist simple labeling: the band's own tag of their work as “subconscioussion” doesn’t offer many clues. Their initial track Saltspreader married a jackhammer industrial beat – bandmember Will Wiffen has sometimes been seen on stage wearing a T-shirt that displays the emblem of the trailblazing band Godflesh – with vintage-sounding synthesisers and a guitar riff that vaguely recalls the enduring garage rock anthem I Wanna Be Your Dog, before dissolving into a mass of eerie audio. The planned result, the group has mentioned, was to evoke motorway travel, “the endless movement of vehicles around the clock over vast spans … nighttime orange glows”.

The subsequent track, the song Mr Invisible, falls between nightclub tunes and experimental rock. Firstly, the cut's tempo, multiple entrancing electronic parts, and singing that comes either trippily blurred or mesmerizingly repeated in a way that recalls the classic Underworld album era all suggest the dancefloor. Alternatively, its forceful live-sounding dynamics, near-anarchic character and fuzz – “getting that crisp distortion is a personal mission,” Wiffen has said – set it apart as very much the work of a band rather than a bedroom-bound producer. They've performed around south London’s DIY scene for under a year, “anywhere that will turn the PA up loud”.

But both are exciting and different enough – mutually and contemporary releases – to spark curiosity about what Ashnymph might do next. Regardless of the form, on the evidence of Saltspreader and Mr Invisible, it’s sure to be engaging.

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